A car rams Matt in an attack
The InnocentThe car-ramming attack turns Matt’s suspicion that he is being watched into a physical assault. A gray Ford Taurus he recognizes from outside his office tries to run him down as he leaves Eva’s apartment; Matt is struck and knocked to the ground, then concludes that someone has been following him. The attack’s sudden shift from uncertain recognition to bodily danger makes the car, and especially its license plate, the scene’s crucial evidence.
Recognition of the Taurus
Matt notices the gray Ford while turning away from the people unloading a van. The car is idling about thirty yards behind him. He initially tries to reason away the coincidence: gray Tauruses are common, and he is only about half a mile from his office. But the plate begins with MLH, close to his own initials, and the full number, MLH-472, identifies it as the same car he had seen outside his office. Recognition does not yet prove that its driver is pursuing him, but it gives his unease a specific object.
Matt keeps his breathing even and considers that seeing the car twice in one day could still be chance. The scene holds that possibility open only briefly. When he has moved fewer than five steps, the Taurus’s front wheels begin to angle as if it is preparing to leave. The driver then jumps forward, cuts across the street, and reverses to make a K-turn. Matt hurries after it, bringing him within a few feet of the back window. What had looked like surveillance at a distance becomes a rapidly closing encounter.
The collision
Matt yells, “Wait!” and sprints in front of the car, an attempt to stop the driver that immediately exposes him to it. The Taurus’s tire catches gravel and shrieks as the vehicle shoots toward him. There is no slowdown or hesitation. Matt jumps sideways, but the car accelerates, catches his ankle with its bumper, and sends him off the ground, horizontal. The collision turns his attempted interception into a direct bodily consequence of the driver’s movement.
The momentum swings Matt in midair. He lands face-first, tucks into a roll, and ends up on his back. For several moments he lies blinking into the sunlight as people gather around him and ask whether he is all right. He checks his ankle: it is badly bruised, but not broken. The immediate physical damage is limited, yet the assault’s meaning is not. The entire sequence, from his first sight of the car to its attempt to hit him, takes perhaps five or ten seconds.
Aftermath and significance
Matt’s conclusion is measured rather than absolute: someone has been following him, at the very least. The wording preserves the distinction between what he can establish and what he suspects about the driver’s purpose. The plate links the Taurus to the car outside his office; its sudden movement toward him and failure to slow down make the danger unmistakable, even though this episode alone does not identify who is behind it.
After the collision, Matt checks that his cell phone is still in his pocket and limps back toward Eva’s apartment. Pastor Jill and her sons have left. He makes sure Eva is all right, gets into his own car, and takes a deep breath before deciding what to do next. He calls Cingle’s private line and asks whether Cingle is in the office. The call marks a shift from trying to confront the driver himself to seeking help from a trusted contact. In the scene’s structure, the Taurus first appears as a possible coincidence, then as a recognizable threat, and finally as an attack that forces Matt to respond.